Thursday, November 26, 2009

Happy ThanksGoulet

I was going to throw together a hefty Thanksgiving post, similar to the Halloween post from last month. But I was hindered by two things:
  1. Very few good musical references to turkey or Thanksgiving.
  2. Very few musicians of note born on this year's Thanksgiving dates, November 26.
But alas, we were bailed out on the latter point by one particular birth of note: The late, great Robert Goulet!

Happy Thanksgiving, folks. Just a reminder, look for the Best of '09 Lists coming out next month.


Tuesday, November 24, 2009

So...what is the best album of the 00s?

If you're as steady a patron of blogs and media sites as I am, you've noticed the barrage of "Best of the Decade" lists spewing forth from every media outlet imaginable. While I am not nearly worthy of quantifying (or qualifying) a decade's worth of tuneage--I didn't quite immerse myself until about halfway through--I think it's just as fascinating to analyze what's being said.

Let's start with two of the more objective resources: and

Rateyourmusic allows users to do just that. No critics, no experts; just the fans. Because of the democratically representative nature of this format, it's perhaps one of the most pure barometers of what's good in music. Of course the flaw is in the sampling method: the voting population consists of people a.) in the know and b.) who care enough to do it. Still, there's no one genre that dominates the list, and most reputable artists can boast representation (I'm particularly proud that Tom Waits' masterpiece Rain Dogs is the 5th ranked album of the 80s.)

As for the 00s: The top album is Radiohead's Kid A, not an uncommon critical choice and perhaps only slightly less common as the popular choice. Arcade Fire's Funeral is second, followed by Godspeed You Black Emperor's Lift Yr. Skinny Fists Like Antennas to Heaven. Wilco's Yankee Hotel Foxtrot is #4. The rest of the list is here. Radiohead shows up again at 13 (In Rainbows) and 32 (Amnesiac). Only Hail to the Thief didn't make the top 100, which is surprising to me. I'd put it ahead of Amnesiac, but it seems not to have aged as well as most other albums to most. It should be noted that no 2009 albums have been factored in to the list quite yet. One more Radiohead tidbit: They also netted the best album of the 90s with OK Computer, with The Bends coming it at #9.

Metacritic gives its scores based on an aggregate of critical ratings from a number of publications. However, they prominently feature reissues (always ratings boons) and list them in the company of new releases. The site only began in 2001, so its "All Time" ratings list is effectively the best of the decade. With a cumulative rating of 97/100, Brian Wilson's Smile ties with Loretta Lynn's Van Lear Rose as the most critically acclaimed new release of the decade. The shortcoming here is that there are certain artists who earn critical praise based on staying power alone. Not to mention a well-liked country legend produced by a young rocker (Jack White, in this case) is the kind of storyline that critics devour. And Brian Wilson's long-shelved masterwork was a can't-miss.

Moving on to some specific web and print publications' rankings:

Pitchfork: Radiohead - Kid A

Did anyone not see this coming? Pitchfork's well-document love affair with Radiohead has spanned two decades now. To their credit, their picks mirror Rateyourmusic's, so maybe they do have their fingers on the pulse of good taste.

AV Club: The White Stripes - White Blood Cells

Jack and Meg were undoubtedly a powerhouse in the 00s, and there's no denying that their breakout disc is a stellar album. "Dead Leaves On the Dirty Ground," "Hotel Yorba," "Fell In Love With a Girl," and "We're Going To Be Friends" are songs even most casual music fans would recognize...and, wouldn't you know it, they're actually good songs. The snob in me says I prefer Elephant and actually Icky Thump, but song for song, White Blood Cells has to take it as far as the Stripes go. Tops in the 00s? Sure, why not.

NME: The Strokes - Is This It

While it's true Is This It is already being referred to as an era-defining record, it's hard to argue that such a label means much anymore. Musical fads come and go quicker than ever these days, right? But to be fair, the Strokes had a noticeable cultural impact that extended well beyond the speakers. Especially noteworthy: Every lanky 15 year old growing a poofy Jewfro; the temporary extinction of the upstrum; an emphasis on the band naming formula of (The + plural noun). And, sure, the record is pretty damned good.

Paste: Sufjan Stevens - Come On, Feel The Illinoise

Paste often wears it's favorite bands on its sleeves, so it's no surprise Sufjan snagged their top spot. But again, it's a fairly epic release and the gold standard of 00s indie folk. His sprawling arrangements paired with his meek voice convey that relatable feeling of a small presence in a big world.

Uncut Magazine: The White Stripes - White Blood Cells

Another one for the Stripes' breakthrough, this time from the well-known British music mag. Hold Steady - Boys and Girls In America

The Hold Steady's third album is an excellent choice for best of the decade because it's such a vivid countercultural snapshot. Craig Finn's lyrics speak of coming-of-age youth in America the way Springsteen did in the 70s. Finn's earnest tales of druggie parties, faith crises, and self realization resound so purely with his target audience of literate rock disciples that he's been cast in a "Rock Messiah" role that surely makes him snicker. But nevertheless, the songs that make up Boys and Girls--and the perfect flow they create--is a thing to behold. "You Can Make Him Like You" might be the song of the 00s, with its brilliant lyrics, slathered irony, crowd-surfing above the rolling piano, guitars and drums. The Strokes - Is This It

Another one for the Strokes' debut. Since I've already covered it, I'd like to take this opportunity to praise their second album, Room on Fire. It's a little less revolutionary, but there are some essential tunes on it, especially the all-kinds-of-ass-kicking "Reptilia".


"Sure," you might be saying, arms folded and Frito crumbs dusting your keyboard, "HSW can critique other lists but don't have the cajones to make their own!" Again, I don't feel nearly qualified enough to be able to make a comprehensive list. Remember that these other publications have a team of music critics who, between them, have probably heard just about all that's worth hearing.

But you've convinced me, guy that probably doesn't exist. Here now, I present The HSW Invalid as Hell and Really Just A List of Favorites Top 20 Records of the 2000s:
20. Grizzly Bear - Veckatimest
19. The Shins - Chutes to Narrow
18. Ryan Adams - Love Is Hell
17. My Morning Jacket - Z
16. The National - Alligator
15. Drive-By Truckers - Decoration Day
14. Iron and Wine - Shepherd's Dog
13. M. Ward - Post War
12. Radiohead - Kid A
11. Wilco - A Ghost Is Born
10. Band of Horses - Everything All the Time
9. Spoon - Ga Ga Ga Ga Ga
8. Radiohead - In Rainbows
7. Gillian Welch - Time (The Revelator)
6. Bright Eyes - I'm Wide Awake and It's Morning
5. Arcade Fire - Funeral
4. The Decemberists - Picaresque
3. Sun Kil Moon - Ghosts of the Great Highway
2. The Hold Steady - Boys and Girls in America
1. Wilco - Yankee Hotel Foxtrot
The unofficial HSW best of the 00s list...happy? I hope you had a nice decade, and many happy returns in the next one.

Monday, November 23, 2009

Poll Results 4: What's Your Favorite Radiohead Album?

What a turnout! Thanks to all the voters out there, who turned out in droves. We asked readers to choose the unchoosable: Which Radiohead album is tops? 46 clicks later, and we have results:

0 (0%) - Pablo Honey
9 (19%) - The Bends
8 (17%) - OK Computer
10 (21%) - Kid A
1 (2%) - Amnesiac
1 (2%) - Hail to the Thief
10 (21%) - In Rainbows
7 (15%) - Can't Choose

Ladies and gents, we have a tie. Kid A's futuristic ambiance and In Rainbows' shadowy emotion each drew ten votes. I wonder how many of the indecisive "can't choose" folks were hung up on one of those two. How the scales might have been tipped had the last category not been present.

A few interesting notes:
  • OK Computer, often hailed as a genre-defining masterpiece, finishes a surprising fourth, behind its more straightforward rock predecessor, The Bends.
  • Debut Pablo Honey didn't get any votes. I'm not disappointed--it's clearly not their best record--but I think it's important we recognize it as a record most bands would be lucky to write.
  • In the post that introduced this poll, I put on my pun-cap and wrote this:
Do you crave the Pablo Honey? Do you salute Hail to the Thief? Can't forget about Amnesiac? (I could go on.)
  • Those albums received a total of three votes. Way to make me look stupid. C'maaaaan!
Thanks again for voting, new poll will be up to close out the year!

Wednesday, November 18, 2009

HSW Housekeeping: Slowvember

  • Those of us who follow us to any degree may have noticed November posts have been a bit, well, non-existent. Mea culpa, MFers. It's a combination of things really--busy work and weekend schedule are mainly to blame. BUT...expect a big December. I'll be churning out some year-end lists (our third!) and some other stuff of interest.
  • Also -- please take note that this is the final day of our current poll, which will no longer be covered by that sweet Genesis video now that this post has bumped it down. Sound off! Be heard! Results will go up shortly after the polls close.

That is all.

Tuesday, November 17, 2009

The Tube Amp: November

This month's Tube Amp fodder was provided by our own Thomas. He and I bonded in college over our mutual, unabashed fanhood for Collins-era Genesis. Not to say we don't appreciate the proggy, Gabriel-era stuff. But man oh man, do we both love that syrupy, drum-machine laden, be-mulleted pop goodness. Say what you's quality stuff. The deeper cuts feature epic sprawls, sometimes with multiple movements, and complex songcraft that really warrants them a solemn nod from most synth-pop deriders. One of the many flagship efforts from Collins, Banks, and Rutherford, let's take a look at the Tube Amp's longest offering yet: "Tonight, Tonight".

:12 - Gotta love the initial drumbeat, which the experts would label "Synth as fuck".

:37 - The glorious mullet of 80s Phil Collins belongs in the Rock Hall of Fame.

:51 - Is Mike Rutherford playing one of those guitars without the headstock? Man, those things are so weak...glad that trend dissipated and has shown no signs of resurgance.

1:02 - Apparently this cavern of keyboard is actually an offshoot of the Sarlacc from Return of the Jedi.

1:18 - More on the mullet: The way it cascades around his chrome dome and down the back kinda makes it look like a reverse-beard.

1:29 - For having 8,000 keyboards, it seems kinda unimpressive to be creating that simple chirp kinda thing.

1:41 - Little known fact: Phil Collins, one of the shortest frontmen of all time, is actually singing into one of desk-top mic stands.

1:45 - Half expecting mini-Stone'Enge to lower from the rafters.

2:13 - Phil sure knows how to mug for that big note. Dude is pitch-perfect too; amazing, when you consider he was never really meant to be the band's lead singer.

2:48 - Aside from the awesome tunes, the stage show seems pretty tame, doesn't it?

3:08 - Sweet pinstriped blazer. Goodwill had one on special the other day.


3:31 - Phil, donning one of his many musical hats. This time...synth-pad, or something...

4:00 - Such frantic cuts...something is afoot.

4:12 - Finally! Banks jumps to board #12 for some pure 80s sap-synth...

4:16 - ...complemented nicely by some snappy bass. Headstockless, of course.

5:00 - This kind of instrumental stretch totally reminds me of cartrips as a kid. My brother was absolutely obsessed with Genesis, so we'd always have some going.

5:18 - BAM! This bridge rules.

6:06 - All the weepy Disney soundtracks, Phil could absolutely belt a power-note when it was called for.

6:10 - Did you see that? One renegade finally audience member decides to stand up. Play on, player.

6:48 - Sometimes a urine receptacle is necessary. Keyboardists have no time for bathroom breaks.

7:10 - Ah, the second drum-kit, awaiting ever-so-menacingly for Phil to destroy during the double-set solo.

7:30 - Phil is always business casual; high-waisted slacks, shirt starched to a crisp, loafers no doubt. "What about a cool leather jacket, Phil?", you might ask. I'll answer for the man: "No jacket required."

8:16 - This is some vintage 80s riffsmanship...enjoy the ride.

8:38 - That's a coda, bitches.

9:00 - You just know every song at the concert ended like that. Lots of noise from everyone, drummer does a big outro roll, everyone comes down on the same note, lights out.

Ladies and gents, I give you Genesis c. 1988. Does it get better? Sadly, as I read through the comments I'm finding that there is some speculation that Phil's playing, and even singing days are numbered, due to some sort of spine injury. This, I pray, is just a rumor. If there is some condition, here's to speedy recovery.

Until next time, This is the Tube Amp, saying: Tonight, tonight, tonight.....Whooaaa-ooooooooooh!